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Mbira: how to play the Google Doodle celebrating Zimbabwe's national instrument



A new interactive Google Doodle lets users try their hand at a traditional Zimbabwean instrument that has been played for over 1,000 years.

Today’s Doodle celebrates Zimbabwe’s national instrument, the mbira, as Zimbabwe’s Culture Week begins.

Here’s everything you need to know about it:

What is a mbira?
The mbira consists of a handheld hardwood soundboard (gwariva) affixed with a series of thin metal keys, which are plucked by the thumbs and forefinger – it is sometimes called a ‘thumb piano’.

A large hollow gourd (deze) provides amplification, and bottle caps or beads can be attached to the soundboard to create the instrument’s signature buzzing sound.

What sort of music is played on it?

The music played on the instrument is also called ‘mbira’, and often consists of two or more interlocking parts.

Players will improvise over the top of these musical components, so no two performances are exactly alike.

The mbira originated in Southern Africa, and has long played an integral role in the traditions and cultural identity of Zimbabwe’s Shona people; some 11 million people strong in the country.

A variety of Shona ceremonies make prominent use of the instrument, a vital link to the past through songs that have been passed down through generations over hundreds of years.


“Without a doubt the most enjoyable thing about working on this Doodle was being able to experience and learn about Mbira from the Shona people in Zimbabwe,” said Doodle producer Colin Duffy.

“Prior to this project I could not tell you much about Mbira but the kindness, depth of history and open mindedness that the people of Zimbabwe showed our group was life-changing.”

The mbira was popularised in the 1980s following the success of musician Thomas Mapfumo, who included mbira on stage alongside modern rock instruments such as electric guitars and drum kits.

How does the Doodle work?
The Doodle tells a story through the lens of a Zimbabwean girl who learns to play the mbira (the instrument was traditionally played by men, but in recent years Zimbabwean women have increasingly taken up the instrument).

The Doodle offers users the chance to ‘play’ the instrument for themselves, hovering a cursor over the correct key as notes are played.

“What makes the mbira truly magical is that they come with thousands of years worth of history and culture,” said Doodle designer Lisa Takehana.

“We wanted our audience to experience the beauty of the mbira by playing a digital version and listening to a variety of songs that spanned traditional to contemporary.”

South African Doodler Jonathan Shneier – who led the project – said: “We've tried to give people around the world a taste of a broad and deep cultural tradition that isn't very well known outside its homeland, and to give the people of Zimbabwe a chance to stand up and be seen, to be proud of what is uniquely theirs.

“I hope we've given people just enough to pique their curiosity and encourage them to go out and learn more; maybe even pick up an instrument and give it a try!”

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The Snyder Cut: Everything we know about HBO Max's Justice League



What is it? What makes it different? And why should we care? Let's dive into Zack Snyder's not-so-mythical version of 2017's Justice League.

You've probably heard of The Snyder Cut at some point over the past year and a half. #ReleaseTheSnyderCut periodically trends on Twitter and, on Wednesday, the next big streaming service, HBO Max, announced it was finally going to answer the call to release The Snyder Cut in 2021.

So what the hell is it?

Essentially it'll be an extended director's cut of Zack Snyder's Justice League from 2017. But there's a lot more to it than that. With millions of dollars, extra characters and a mini-series format in the mix of rumors, let's run through everything we know so far.

What's The Snyder Cut?

In a nutshell, The Snyder Cut is a version of 2017's Justice League cut together by director Zack Snyder. His take on the superhero ensemble blockbuster never made it to theaters, after he was forced to step down in the final stages of the project.

After principal photography finished sometime at the end of 2016, Warner Bros. executives reportedly saw a rough cut of Snyder's footage and, dissatisfied, wanted changes. But in 2017, Snyder stepped down during the editing process to deal the death of his daughter.

Joss Whedon came in to handle reshoots, but did not receive a director's credit, suggesting the finished product contained most of Snyder's original footage.

However, several plotlines were abandoned and the runtime hacked down from three and a half hours to 120 minutes. Snyder estimated the movie we saw in theaters contained "one fourth" of his contribution.

While we'll probably never know the hard facts of what happened behind-the-scenes on the movie, which was torn to shreds by critics and disappointed at the box office, at least we'll finally get to see how big the disparity between the two versions really is.


Why is it such a big deal?
Members of the cast, from Gal Gadot (Wonder Woman), Henry Cavill (Superman) to Jason Momoa (Aquaman), have all rallied behind The Snyder Cut, alongside a long-running fan campaign on social media urging Warner Bros. to release it. After trending on and off for a year, #ReleaseTheSnyderCut recently surged on Twitter in the lead up to the two-year anniversary of Justice League's release.

Now, in response to this massive outpour of support, WarnerMedia Entertainment (which owns HBO Max) chairman Robert Greenblatt released the statement:

"Since I got here 14 months ago, the chant to #ReleaseTheSnyderCut has been a daily drumbeat in our offices and inboxes. Well, the fans have asked, and we are thrilled to finally deliver. At the end of the day, it really is all about them and we are beyond excited to be able to release Zack's ultimate vision for this film in 2021. This could never have happened if it weren't for the hard work and combined efforts of the teams at HBO Max and Warner Bros. Pictures."

Snyder also dropped the big news to fans watching his Man of Steel quarantine watch party.

"I want to thank HBO Max and Warner Brothers for this brave gesture of supporting artists and allowing their true visions to be realized. Also a special thank you to all of those involved in the SnyderCut movement for making this a reality."

What's going to be different?
New characters

In January, Snyder dropped a still from his original footage featuring Ryan Choi, aka Atom. The genius size-shifter, as well as Martian Manhunter, The Green Lantern and Darkseid, have all been dangled by Snyder as what you would get in his non-slimmed-down version.

A mini-series

That's a lot of characters. To ensure Wonder Woman, Batman, Superman, The Flash, Aquaman and Cyborg have ample character-building screen time, a mini-series, or six "chapters" could be on the cards, according to The Hollywood Reporter. (The other rumored option is a four-hour director's cut, but let's not encourage that.)

Finished visual effects

Snyder's original crew is getting back together to cut the footage, with a different score, finishedm visual effects and additional dialogue from actors to fill in the gaps. All of this could cost up to $30 million, THR reports.

A different end-credits scene

In the end-credits of the theatrical cut, sword-wielding assassin Deathstroke joins Lex Luthor to create their own Justice League. Actor Joe Manganiello suggested we would see a different scene, linked to Deathstroke's involvement in Ben Affleck's now-canned Batman film.

When and where will it come out?
The Zack Snyder cut of Justice League will be released on HBO Max sometime in 2021. The streaming service, which will host loads of exclusive content from WarnerMedia and DC Comics, launches May 27. Here's how to sign up.

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NASA Scientists Detect Parallel Universe Where Time Runs Backward



(MENAFN - Kashmir Observer) The researchers were stunned by their discovery (Image: NASA)

LONDON: NASA scientists have detected evidence of a parallel universe, right next to ours, where all the rules of physics seem to be operating in reverse, a report said on Tuesday.


 
The concept of a parallel universe has been around since the early 1960s, mostly in the minds of fans of sci-fi TV shows and comics, but now a cosmic ray detection experiment has found particles that could be from a parallel realm that also was born in the Big Bang, the Daily Star reported .

The experts used a giant balloon to carry NASA's Antarctic Impulsive Transient Antenna, or ANITA, high above Antarctica, where the frigid, dry air provided the perfect environment with little to no radio noise to distort its findings.

A constant 'wind' of high-energy particles constantly arrives on Earth from outer space.

Low-energy, subatomic neutrinos with a mass close to zero can pass completely through Earth, but higher-energy objects are stopped by the solid matter of our planet, according to the report.


 
That means the high-energy particles can only be detected coming 'down' from space, but the team's ANITA detected heavier particles, so-called tau neutrinos, which come 'up' out of the Earth.

The finding implies that these particles are actually traveling backward in time, suggesting evidence of a parallel universe, according to the Daily Star.

Principal ANITA investigator Peter Gorham, an experimental particle physicist at the University of Hawaii, suggested that the only way the tau neutrino could behave that way is if it changed into a different type of particle before passing through the Earth and then back again.

Gorham, lead author on a Cornell University paper describing the odd phenomenon, noted that he and his fellow researchers had seen several of these 'impossible events,' which some were skeptical about.


 
'Not everyone was comfortable with the hypothesis,' he told New Scientist.

The simplest – and therefore scientifically the most elegant explanation is this: at the moment of the Big Bang two universes were formed – ours, and another one that from our perspective is running in reverse.

Of course if there were any inhabitants of this mirror universe, they'd see ours as the backwards one.

Scientists working on other, similar, projects said that if the ANITA team's findings aren't the result of a bizarre experimental error, the implications are incredible.

'We're left with the most exciting or most boring possibilities,' said Ibrahim Safa, who also worked on the experiment.

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DC's Stargirl: Grade the Premiere



DC’s Stargirl has now made her debut on both the DC Universe digital subscription service and on The CW (where it will lead off Tuesday nights). Do you think the new, Arrowverse-adjacent hero shines?
Created by comic book vet Geoff Johns (who was inspired by his late sister), DC’s Stargirl opened with a thrilling flashback to 10 years ago, where the villains of the Injustice Society (including Brainwave, the Wizard, Icicle and a hulking Solomon Grundy) are in the course of whaling on Justice Society of America members such as Doctor Mid-Nite, The Flash, Hourman and Wildcat. Pat Dugan aka “Stripesy” arrives just in time to see Starman get dealt a fatal blow, by an icicle to the chest. With his dying breaths, Starman hands over his cosmic staff to Pat, in hopes that someone, someday — but not Stripesy — will prove worthy to pick up the baton.

That same night, a young girl named Courtney is seen at home at Christmas Eve, waiting for her father to come home. But he never did.
A decade later, teenage Courtney Whitmore is (begrudgingly) relocating from Los Angeles to Blue Valley, Nebraska, now that her widowed mom has remarried… Pat Dugan. Courtney is in a funk, dealing with a real pill of a stepbrother and also learning that there is no gymnastics team at her new school, where she is relegated to the “losers” table.

One night, Courtney comes across the cosmic staff in stepdad Pat’s basement, and it immediately forms a bond with her. Soon enough, Courtney is learning the fantastic and gymnastic tricks she and it can do together. At one point (and with a hoodie cinched around her head), Courtney happens upon the local drive-in theater and accidentally-ish uses the staff to blow up dickish classmate Henry King Jr.’s car.
When a frazzled Courtney sprints home, Pat gets wind of his stepdaughter’s discovery and is left with no choice but to school her on the JSA, his role in it, and the death of Starman — who Courtney comes to strongly suspect was her father.
At bedtime, the staff calls out for Courtney and whisks her off into the nighttime sky, eventually leading her to the local tire factory’s warehouse. There, she finds herself dragged by an unseen force into the warehouse, where she squares off with resident ISA baddie Brainwave (who we know to be Henry King Sr.). The telekinetic Brainwave lobs many a steel-belted radial at his strange, new adversary, but she nimbly leaps and ducks and somersaults away from them, eventually letting slip with a cosmic staff blast that engulfs her foe in fire. Courtney then races outside, only to be stopped by the giant, flying robot that touches down in her path.
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Megan Fox’s Husband Posts Odd Message As She’s Seen With Machine Gun Kelly



It looks like Megan Fox and husband Brian Austin Green may be trying to compete with Mary-Kate Olsen and Olivier Sarkozy when it comes to messy pandemic splits. While Fox and Green have not publicly confirmed rumours that their 10-year marriage is coming to an end, Green posted an Instagram caption that seemed to vaguely refer to their possible situation after Fox was spotted out with...Machine Gun Kelly.

Why is it always Machine Gun Kelly? The actor and musician made headlines a few months ago when he was seen with his BFF Pete Davidson's ex, Kate Beckinsale. Now on Friday, he was photographed with his Midnight In The Switchgrass co-star Megan Fox as they drove around Calabasas, California, per People. Production on the film was halted due to the coronavirus pandemic, but it looks like the pair are keeping the spirit of the set alive.

While the public scratched their heads over this outing, Green appeared to give his two cents on Instagram. On Saturday — Fox's birthday — he posted a picture of a butterfly with this cryptic caption:

"Eventually butterflies get bored sitting on a flower for too long. They start feeling smothered. It’s a great big world and they want to experience it."

It's not clear if any of this means the end is nigh for the pair (People also spotted both actors without their respective wedding rings) but Fox did file for divorce against Green back in 2015, only to have a change of heart. The two share three children, Bodhi Green, 6, Noah Green, 7, and Journey Green, 3.

It's worth remembering that that Beckinsale-Machine Gun Kelly sighting ending up being nothing, so it's possible he's just a gregarious Hollywood grocery-shopping helper. The butterflies, though, I can't explain.

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NASCAR Cup Series at Darlington results: Kevin Harvick wins The Real Heroes 400 in Cup Series return



Kevin Harvick is the winner of The Real Heroes 400 in the NASCAR Cup Series' return to action amid the coronavirus pandemic. The race was run without any fans in attendance, something Harvick touched on when speaking to Fox Sports after the race. "We miss the fans," Harvick said when looking into the empty bleachers. "It's just weird because there's nobody up there."

The win is the first of the season for Harvick who came into the day as the Cup Series points leader after the first four races, despite not having made it to victory lane until Darlington. Harvick is the only driver to have finished in the top 10 of all five Cup races this season. He also reached a career milestone with the victory, becoming just the 14th Cup Series driver to reach 50 career wins -- tying Junior Johnson and Ned Jarrett -- and coincidentally breaking a tie at 49 with his team owner Tony Stewart. "It's a pretty big honor to win 50 races in this deal," Harvick said.

Alex Bowman finished second, with Kurt Busch in third, followed by Chase Elliot in fourth and Denny Hamlin in fifth.

The Cup Series now has just a couple of days off before returning to the track at Darlington on Tuesday night, May 20, with the Toyota 500, which will be run under the lights over 500 kilometers.

Relive all of the action of Kevin Harvick's win at The Real Heroes 400 in Darlington with CBS Sports below.
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‘American Idol’ Winners: Where Are They Now?



“American Idol” ran on FOX for 15 seasons from 2002 to 2016 and began a run on ABC in 2018. While the judging panel has seen a revolving door of celebrities, every season has been hosted by Ryan Seacrest. Several of the early winners have gone on to enjoy great success, including season 1 champ Kelly Clarkson, who has won three Grammys, and season 4 winner Carrie Underwood, who has sold millions of records. However, such success has eluded the more recent “American Idol” winners who have found that their time in the spotlight is fleeting. Take a look back at their photos and read our updates on where they are now.


American Idol: Season 1 Winner Kelly Clarkson
Won: Sept. 4, 2002
Runner-up: Justin Guarini
Winning Song: “A Moment Like This”

Now: This three-time Grammy winner has released eight studio albums and is now a judge on NBC’s reality-competition series “The Voice” and host of a daytime talk show.


American Idol: Season 2 Winner Ruben Studdard
Won: May 21, 2003
Runner-up: Clay Aiken
Winning Song: “Flying Without Wings”

Now: He has released six studio albums, including his platinum-selling debut, “Soulful,” and the top-selling gospel follow-up, “I Need an Angel.”


American Idol: Season 3 Winner Fantasia Barrino
Won: May 26, 2004
Runner-up: Diana DeGarmo
Winning Song: “I Believe”

Now: This Grammy winner has released six studio albums and appeared on Broadway in “The Color Purple” and “After Midnight.”


American Idol: Season 4 Winner Carrie Underwood
Won: May 25, 2005
Runner-up: Bo Bice
Winning Song: “Inside Your Heaven”,

Now: The most successful winner by far, she has released six studio albums and won seven Grammy Awards, 8 CMA Awards, 10 Billboard Music Awards and 12 ACM Awards.


American Idol: Season 5 Winner Taylor Hicks
Won: May 24, 2006
Runner-up: Katharine McPhee
Winning Song: “Do I Make You Proud”

Now: He has released three studio albums, appeared on Broadway in “Grease” and had long-term residencies in Las Vegas.


American Idol: Season 6 Winner Jordin Sparks
Won: May 23, 2007
Runner-up: Blake Lewis
Winning Song: “This Is My Now”

Now: She has released three studio albums, been nominated for a Grammy, and acted in “Sparkle.”


American Idol: Season 7 Winner David Cook
Won: May 21, 2008
Runner-up: David Archuleta
Winning Song: “The Time of My Life”

Now: He has released four studio albums and made hi Broadway debut in the Tony-winning musical “Kinky Boots.”


American Idol: Season 8 Winner Kris Allen
Won: May 20, 2009
Runner-up: Adam Lambert
Winning Song: “No Boundaries”

Now: He has released five studio albums, is married to his high school sweetheart Katy O’Connell and is the father of two.


American Idol: Season 9 Winner Lee DeWyze
Won: May 26, 2010
Runner-up: Crystal Bowersox
Winning Song: “Beautiful Day”

Now: He has released six studio albums and tours extensively.


American Idol: Season 10 Winner Scotty McCreery
Won: May 25, 2011
Runner-up: Lauren Alaina
Winning Song: “I Love You This Big”

Now: He has released three studio albums and reached #1 on the country charts in 2018 with his first single in five years, “Five Minutes More.”


American Idol: Season 11 Winner Phillip Phillips
Won: May 23, 2012
Runner-up: Jessica Sanchez
Winning Song: “Home”

Now: He has released three studio albums, with the third, “Collateral,” spawning the 2018 hit “Miles.”


American Idol: Season 12 Winner Candice Glover
Won: May 16, 2013
Runner-up: Kree Harrison
Winning Song: “I Am Beautiful”

Now: Her solo studio album, “Music Speaks,” was delayed and released a year after her win to modest success.


American Idol: Season 13 Winner Caleb Johnson
Won: May 21, 2014
Runner-up: Jena Irene
Winning Song: “As Long as You Love Me”

Now: His sole studio album, “Testify,” was released just weeks after his win. He has since gone the indie music route.


American Idol: Season 14 Winner Nick Fradiani
Won: May 13, 2015
Runner-up: Clark Beckham
Winning Song: “Beautiful Life”

Now: His sole studio album, “Hurricane,” was a sales disappointment. He released an EP, “Where We Left Off,” in the fall of 2017.


American Idol: Season 15 Winner Trent Harmon
Won: April 7, 2016
Runner-Up: La’Porsha Renae
Winning Song: “Falling”

Now: After releasing another hit single, “There’s a Girl,” in 2016 he followed up with an album in 2018: “You Got Em All.”


American Idol: Season 16 Winner Maddie Poppe
Won: May 21, 2018
Runner-up: Caleb Lee Hutchinson
Winning Song: “Going Going Gone”

Now: She followed up this hit single with another, “”Keep On Movin’ On”,” and released her debut album, “Whirlwind,” on May 17, 2019.


Season 17: Laine Hardy
Won: May 19, 2019
Runner-up: Alejandro Aranda
Winning Song: “Flame”

Now: He followed up this hit single with a nationwide tour. He released two new songs, “Ground I Grew Up On” and “Let There Be Country”, in April 2020.

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Director Lynn Shelton, who brought an independent spirit to film and TV, dies at age 54



Director Lynn Shelton, known for her prolific work on independent films like “Humpday” and “Sword of Trust” and on TV series such as “Mad Men” and “GLOW,” has died at age 54.

Shelton died Friday in Los Angeles as a result of a previously unidentified blood disorder, her publicist, Adam Kersh, confirmed.

Emerging out of the creative ferment of her native Seattle, Shelton established herself as a pioneer in the low-budget indie film movement that came to be known as mumblecore, bringing a naturalistic, intimate and often improvised approach to films like “We Go Way Back,” which won the Grand Jury Prize at the Slamdance Film Festival in 2006, and her 2009 breakthrough “Humpday,” which earned strong notices at the Sundance and Cannes film festivals and won the Independent Spirit John Cassavetes Award.

Actor and director Mark Duplass, who starred in “Humpday” and collaborated frequently with Shelton, paid tribute to her Saturday, writing on social media, “We made so many things together. I wish we had made more. Her boundless creative energy and infectious spirit were unrivaled. She made me better. We butted heads, made up, laughed, pushed each other. Like family. What a deep loss.”

A onetime aspiring actress and photographer, Shelton did not begin her filmmaking career until her mid-30s. But she worked at a furious clip, directing eight features in 14 years alongside a busy career in television. Her 2011 comedic love triangle “Your Sister’s Sister,” starring Duplass, Rosemarie DeWitt and Emily Blunt, won a Gotham Award for Best Acting Ensemble as well as an Independent Spirit Award nomination for DeWitt.

Though approached to direct mainstream studio fare, including the Marvel superhero film “Black Widow,” Shelton stayed true to her indie roots with such small-scale films as “Touchy Feely,” “Laggies” and her most recent film, the wry comedy “Sword of Trust,” which premiered at the South by Southwest festival last year and was released last summer.

“I self-generated my work, and I never went around asking permission to make it,” Shelton told The Times in 2014 “The main reason women make inroads in independent film is that no one has to say, ‘I pick you.’ I’m not pounding on anybody’s door. I’m just making my own way. You can buy a camera for $1,500. It’s insane how easy it is to make a movie. You can make mistakes and throw it under the rug and keep going. You’re not dependent on other people allowing you to do it.”

Shelton kept mainstream Hollywood at arm’s length out of fear of compromising her idiosyncratic vision and sensibility.

“They’ve sent me a continuous stream of scripts to see if something sparks,” Shelton told The Times. “At a certain point I was like, maybe we should just stop with sending me scripts. They were beautifully written, but it’s so, so rare that there’s any kind of overlap with me or an affinity for the writer’s voice... I wouldn’t want to make a film I’d be afraid to put my name on. It feels like the more millions involved the more likely it is that that’s going to happen unless you have some kind of protection or buffer.”

With television generally more receptive to her brand of smart adult-oriented fare, Shelton became one of the small screen’s most in-demand directors.

Her television work included numerous episodes for such series as “Little Fires Everywhere,” “Master of None,” “Casual,” “The Mindy Project,” “The Morning Show” and “GLOW.” She also directed Marc Maron’s recent comedy special “End Times Fun” and his previous special “Too Real” and was at work on a script with Maron for what was to be her next feature film. On May 7, Shelton and Maron spoke about that project in an Instagram Live interview with Indiewire, with Shelton describing it as a “domestic dramedy” centered on two brothers, one of whom is married.

According to Shelton’s publicist, Shelton is “survived by her son Milo Seal, her husband of many years Kevin Seal, her parents Wendy & Alan Roedell and David ‘Mac’ Shelton & Frauke Rynd. She is also survived by her brothers David Shelton, Robert Rynd and sister Tanya Rynd, as well as Marc Maron, with whom she spent the last year of her life.”

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Fred Willard, Scene Stealer Extraordinaire, Dies At 86





The big screen has lost one of its most prolific scene stealers.

Fred Willard, the comic actor best known for his roles in mockumentaries including This Is Spinal Tap, Waiting for Guffman and Best in Show, has died at the age of 86. His daughter Hope Mulbarger confirmed Willard's death in a statement sent to NPR by his media representative Glenn Schwartz.

"My father passed away very peacefully last night at the fantastic age of 86 years old," Mulbarger said Saturday. "He kept moving, working and making us happy until the very end. We loved him so very much! We will miss him forever."

Schwartz said his death came of "natural causes."

Across a career that spanned roughly half a century, Willard appeared in scores of films and television shows, often dropping in as an interloper whose deadpanned lines could flip a scene on its head — and throw other characters for a loop. He cut his teeth on improv, starting with Chicago's Second City comedy troupe, but quickly became a familiar face in comedy films, as well.

Few roles embodied his knack for drawing a double take better than Buck Laughlin, the color announcer in Best in Show who found himself out of his depth working a national dog show — but no less affably confident for all his incompetence.

"Just an idea off the top of my head: Why don't they put the bloodhound — put on one of those Sherlock Holmes hats and put a little pipe in his mouth?" Willard's Laughlin asked his uncomfortable counterpart at the announcing table. "Are they ever allowed to do anything like that, dress up a dog in a funny way?"



Many of those quips and quick witticisms came not from a script, but rather from Willard himself, as he and his co-stars riffed on a given topic. When he was working with director Christopher Guest, in particular — with whom he filmed not only Best in Show, but also Waiting for Guffman and A Mighty Wind, among others — much of his dialogue was improvised.

"It's got to be in character. Also, it's preparation," he explained in a 2012 interview with the Archive of American Television. "And then just say something. If you have nothing to say, just start talking."

In addition to his work in film, Willard also won a daytime Emmy in 2015 for his guest appearance on The Bold and the Beautiful. He earned four Emmy nominations for his recurring guest roles on Everybody Loves Raymond and Modern Family, as well.

Willard is survived by Mulbarger, her husband, Mitch Mulbarger, and his grandson Freddie.

"How lucky that we all got to enjoy Fred Willard's gifts," actress Jamie Lee Curtis, the wife of Guest, said Saturday on Twitter. "He is with his missed [wife] Mary now. Thanks for the deep belly laughs Mr. Willard."

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Obama Says U.S. Lacks Leadership on Virus in Commencement Speeches

The virus has “torn back the curtain on the idea that so many of the folks in charge know what they’re doing,” the former president said. “A lot of them aren’t even pretending to be in charge.”


Former President Barack Obama delivered a virtual commencement address on Saturday. It was one of his few addresses to a national audience during the outbreak, and he said a leadership void had created a clear mandate for the graduates.

Without the springtime rituals of traditional graduation ceremonies, former President Barack Obama delivered two virtual commencement addresses on Saturday, urging millions of high school and college graduates to fearlessly carve a path and “to seize the initiative” at a time when he says the nation’s leaders have fumbled the response to the coronavirus pandemic.

The speeches, aired hours apart, combined the inspirational advice given to graduates — build community, do what is right, be a leader — with pointed criticism of the handling of an outbreak that has killed more than 87,000 Americans and crippled much of the economy.

“More than anything, this pandemic has fully, finally torn back the curtain on the idea that so many of the folks in charge know what they’re doing,” Mr. Obama said in his first address, directed at graduates of historically black colleges and universities. “A lot of them aren’t even pretending to be in charge.”

Although Mr. Obama did not mention President Trump by name, some saw his comments as criticism of his successor.

“President Trump’s unprecedented coronavirus response has saved lives,” Kayleigh McEnany, the White House press secretary, said in a statement that cited the administration’s travel restrictions, small business loan program and use of the private sector “to fill the stockpile left depleted by his predecessor.”

In speeches that spoke to social inequities, Mr. Obama said the pandemic was a wake-up call for young adults, showing them the importance of good leadership and that “the old ways of doing things just don’t work.”


“Doing what feels good, what’s convenient, what’s easy — that’s how little kids think,” he said during a prime time special for high school seniors. “Unfortunately, a lot of so-called grown-ups, including some with fancy titles and important jobs, still think that way — which is why things are so screwed up. I hope that instead, you decide to ground yourself in values that last, like honesty, hard work, responsibility, fairness, generosity, respect for others.”

Mr. Obama’s comments were one of his few public addresses to a national audience during the outbreak, and he said a leadership void had created a clear mandate for the graduates: “If the world’s going to get better, it’s going to be up to you,” he said.

Mr. Obama’s remarks were billed as commencement speeches, but they also appeared to be an effort to comfort and assure an American public divided by Mr. Trump’s handling of the crisis. The former president also used the occasions to attempt to rally the nation in an election year around values historically championed by Democrats like universal health care, and environmental and economic justice.


Since leaving office three years ago, Mr. Obama generally has avoided publicly criticizing Mr. Trump. But his jabs at the pandemic response could further inflame tensions between the two most recent occupants of the White House.

Mr. Obama called the current administration’s response to the pandemic “anemic and spotty” in a private call last week with thousands of supporters who had worked for him.

And in recent days Mr. Trump has unleashed tirades against Mr. Obama on Twitter and on television, resurrecting unfounded claims that his predecessor tried to bring him down by manufacturing the Russia investigation.

The prime-time event, “Graduate Together: High School Class of 2020 Commencement,” was organized by XQ Institute, a think tank that works with schools, in partnership with LeBron James’s foundation and the Entertainment Industry Foundation, a philanthropic organization. It aired on major television networks.

Mr. Obama told the seniors the outbreak had forced them to “grow up faster than some generations,” as they have had to deal with the pressures of social media, school shootings, climate change and, now, a pandemic.

He encouraged the high school graduates to face down those challenges, as scary as they might be.

“If we’re going to create a world where everybody has the opportunity to find a job, and afford college; if we’re going to save the environment and defeat future pandemics, then we’re going to have to do it together,” he said. “So be alive to one another’s struggles.”

Hours earlier, Mr. Obama addressed more than 27,000 students at 78 participating historically black colleges and universities.

That two-hour event, “Show Me Your Walk H.B.C.U. Edition,” was streamed on the social media platforms of its corporate sponsor, JPMorgan Chase. Hosted by Kevin Hart, it also featured dozens of prominent African-American athletes, politicians and entertainers, many of whom were H.B.C.U. graduates.

[You can see Mr. Obama’s remarks at the H.B.C.U ceremony, beginning 1 hour, 47 minutes into the video below.]



Mr. Obama told the college graduates, most of whom are black, that the coronavirus “just spotlights the underlying inequalities and extra burdens that black communities have historically had to deal with in this country.”

The disparities are not just in public health, but also “just as we see it when a black man goes for a jog, and some folks feel like they can stop and question and shoot him if he doesn’t submit to their questioning,” he said.

It was a reference to the killing of Ahmaud Arbery, a 25-year-old black man who was chased by a white father and son and fatally shot in a coastal Georgia community in February.


As communities across the country emerge from stay-at-home measures, and people clash over how much freedom they should have, Mr. Obama suggested that Americans needed to be considerate of others.

He encouraged the graduates to work with other marginalized groups in their efforts to create societal change.

“It doesn’t matter how much money you make if everyone around you is hungry and sick,” he said, later adding that “our society and democracy only works when we think not just about ourselves, but about each other.”

Ariel Turnley, 21, watched her own Spelman College virtual graduation with her mother and aunt in the living room of her Lauderhill, Fla., home, then tuned into Mr. Obama’s speech for H.B.C.U. students.

“I think President Obama said what so many of us feel, that those in power are not doing the best things they can during this pandemic with the power they have,” said Ms. Turnley, who graduated with a degree in computer science. “I also appreciated him talking about the injustices that have been highlighted during this pandemic. This is not the graduation that we imagined, but I felt like he offered the words I wanted to hold on to during this crisis.”

Mr. Obama’s speech came at a time when new social-distancing norms have dashed many graduation traditions — from the ritual of walking across the stage to tossing of the graduation cap to family and friends celebrations — so popular political leaders and celebrities have stepped in to offer assuring messages as graduates enter a world shaped by uncertainty, infection fears and economic instability.

Mr. Obama is scheduled to make a third online commencement address on June 6, along with Michelle Obama, in a ceremony hosted by YouTube.

While he was president, Mr. Obama delivered the commencement addresses at three historically black schools, Hampton University, Howard University and Morehouse College.

The former president has had a complicated relationship with the H.B.C.U. community. While overall funding for the institutions increased during his eight years in office, some complained that he did not make them a priority, and that cuts and changes made under his watch to Pell grants and other loan programs made life difficult for some H.B.C.U. students.

He called H.B.C.U. graduates the “inheritors of one of America’s proudest traditions,” and they needed to act.

“Whether you realize it or not, you’ve got more road maps, more role models, and more resources than the Civil Rights generation did,” he said. “You’ve got more tools, technology, and talents than my generation did. No generation has been better positioned to be warriors for justice and remake the world.”

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It’s ‘Comet SWAN’ Week. Here’s How You Can See The ‘Comet Of The Year’



Rise an hour before the Sun on Monday, look low on the northeast horizon, use binoculars, be patient. 

That’s how you’ll see Comet SWAN—the probable “comet the year”—which is now visible from the northern hemisphere low in the northeast just as nautical dawn is beginning. 


Monday, May 18, 2020 is probably the very best chance you’ll have to see it. However, if skies aren’t clear, the next few mornings after should also afford decent views before the fast-moving Comet SWAN disappears into the Sun’s glare (or fizzles out).

It’s uncertain—and it only be a subtle sight—but at the time of writing it’s still the case that this week is the best time to see a comet from the northern hemisphere in years.

However, you do need to know exactly when, where and how to look because finding Comet SWAN—also known as C/2020 F8 (SWAN)—is not going to be easy for beginner stargazers.



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By Jamie Carter
Key dates for finding Comet SWAN
Monday, May 18 (before sunrise): in the constellation of Perseus, Comet SWAN is likely to be at its brightest and most visible low to the northeast (about 10º above the horizon) just as nautical dawn is starting. 
Wednesday, May 20, 2020: Comet SWAN will be very close to the star Algol in Perseus in the pre-dawn sky.
Tuesday, May 26: Comet SWAN reaches perihelion (the closest it gets to the Sun) and disappears in the Sun’s glare. The view then swaps from the pre-dawn morning to the post-sunset evening sky.
Wednesday, June 3, 2020 (after sunset): if it’s still a going concern, Comet SWAN will pass close to Capella in Auriga in the post-sunset sky. So this is another key date to take a look.
How, when and where to find Comet SWAN this week
Comet SWAN has a very narrow window of visibility, with probably the very best view of this week taking place on Monday morning in the pre-dawn northeastern sky.

The easiest way to find Comet SWAN is to rise early—about an hour before sunrise—and use this excellent downloadable and printable skychart from Sky & Telescope magazine:

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Cause Of Death Revealed For Logan Williams, Actor On ‘The Flash’ And ‘When Calls The Heart’



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Logan Williams
Pictured (L-R): Brigid Brannagh as Rita Johnson and Logan Williams
Liane Hentscher/The CW
Actor Logan Williams, who died April 2 at age 16, overdosed on fentanyl, according to his mother.

Speaking to the New York Post, Marlyse Williams said her young son had a three-year battle with addiction. She hopes by speaking out on it that she can help stem the rising opioid crisis, where teen mortality rates continue to rise.

“His death is not going to be in vain,” Williams said. “He’s going to help a lot of people down the road.”

EARLIER: Logan Williams, who played a young Barry Allen on the CW’s hit The Flash and also appeared in Hallmark Channel’s When Calls the Heart, died Thursday at age 16. No cause of death has been revealed.


Canada’s Tri-City News quoted Williams’s mother, Marlyse Williams, saying she is “absolutely devastated” from his death.

Barry Allen on the CW series, posted a photo of Williams with Jesse L. Martin taken during the 2014 pilot episode.

“I was so impressed by not only Logan’s talent but his professionalism on set,” Gustin wrote. “My thoughts and prayers will be with him and his family during what is I’m sure an unimaginably difficult time for them. Please keep Logan and his family in your thoughts and prayers during what has been a strange and trying time for us all. Sending love to everyone.”

Photo Gallery

Williams appeared as the young Allen in eight episodes. He most recently was last in the Season 2 episode “The Man Who Saved Central City.” He recurred as Miles Montgomery in multiple episodes of When Calls the Heart and had guest roles on The Whispers and Supernatural (pictured above). Two of his When Calls the Heart co-stars, Martin Cummins and Gracyn Shinyei, as well as The Flash‘s John Wesley Shipp, also posted heartfelt tributes.

Williams was born in Vancouver and landed his first role at age 10 in the Hallmark film Color of Rain.
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WorkSafeBC launches new employer guidelines as British Columbians start returning to work





If you are a B.C. employer who plans to reopen for business in the coming weeks, you must have health and safety protocols in place to prevent the spread of COVID-19. WorkSafeBC has released new resources that can help.

The province is entering Phase 2 of its restart plan next week, which includes the gradual reopening of many businesses and service providers, as well as schools and medical offices. 

Industry-specific guidelines are now available from WorkSafeBC for the following sectors: Restaurants, cafés and pubs, real estate, arts and cultural facilities, retail, K-12 education, parks and outdoor spaces, health services, in-person counselling and office space.

"We've developed both general and industry-specific materials in consultation with industry and labour stakeholders to ensure they are practical and understandable for workplaces in each sector," Al Johnson, head of prevention services at WorkSafeBC, said in a media release.

The provincial agency has also developed general resources for all workplaces. These include: a COVID-19 safety plan template, workplace posters, information on cleaning and hygiene practices and guidance on the selection and use of masks.

Restaurants getting ready
To meet requirements, Darragh McFeely, operations manager of Nuba restaurants, is implementing numerous changes at the Lebanese restaurant's four locations.

Tables will be spaced further apart. Fewer items will be on the table. Disinfection will be stepped up. Plexiglass will be installed. And because they have fewer staff and are aiming to reduce waste, fewer items will be on the menu.

"We're used to changes in this industry. This is definitely the biggest one so far," McFeely said.

"We feel good. We're not going to rush it."


Darragh McFeely demonstrates a new addition to Lebanese restaurant Nuba: a new take-out window. (CBC)

McFeely doesn't expect Nuba will be opening up at the earliest possible moment. When they do, it's not clear how soon diners and workers will be ready to return.

"Everyone's processing this whole thing in their own way. Everyone will have the ability to do what's comfortable for them."

The protocols won't be ideal for the bottom line, he said, but he supports them from a safety perspective.

Some protocols still pending
Employers do not need to submit their safety plan for review or approval. According to WorkSafeBC, prevention officers will instead begin a provincewide verification and inspection initiative to make sure employers have plans in place.

"The planning process should involve workers for their input to ensure their concerns are heard and addressed," said Johnson.

According to the agency, sector-specific guidelines for child care and recreation will be available in the coming days.

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'Avatar: The Last Airbender' is on Netflix now, and it still stands up as one of the best animated TV series ever



"Avatar: The Last Airbender's" influence has stretched across the past decade of animation.

To this day, no animated series — and arguably, few television series in general — have managed to achieve the lasting impact of Nickelodeon's "Avatar: The Last Airbender." The series, which initially ran from 2005 to 2008, is a masterclass in animation, character development, and complex storytelling. Moreover, it still resonates with audiences today, coming to Netflix in full on May 15, much to the joy of the series' fans.



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'Avatar: The Last Airbender' is on Netflix now, and it still stands up as one of the best animated TV series ever
Palmer Haasch 15 hours ago
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"Avatar: The Last Airbender's" influence has stretched across the past decade of aniamtion. Nickelodeon
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"Avatar: The Last Airbender," one of the most beloved cartoons of all time, hit Netflix in its entirety on May 15.
The series, which aired originally from 2005 to 2008, is still one of the best animated series ever, set apart by its complex worldbuilding and empathy for its characters.
"Avatar" set a precedent for cartoons in the 2010s, demonstrating the complex stories that can be told in 23-minute chunks. 
This article contains spoilers for "Avatar."
Visit Insider's homepage for more stories.



carla
@carla_pgb
avatar the last airbender being put on netflix this friday is the only thing keeping me going

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1:26 PM - May 12, 2020
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It's easy to recognize the ways that "Avatar" set a precedent in Western animation in the 2010s, precipitating a wave of ambitious, character-driven storytelling that's easily seen in series like Wonderstorm's "The Dragon Prince" (it's showrunner, Aaron Ehasz, is an "Avatar" alum) or Cartoon Network's deeply empathetic "Steven Universe."

What sets "Avatar" apart in 2020, 15 years after its debut, is its incredible worldbuilding, fleshed-out characters, and ability to make topics like war, trauma, and death comprehensible for younger audiences without pulling its punches.

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